Sunday, March 29, 2009

Week no. 5

In general, I liked this book. The style in which it was written is entertaining and thought-provoking. Especially the descriptions that seem so pointless, yet artistic and meaningful to the feel of the novel. They also conveyed certain emotions that were better left un-explicitly stated.
What I found frustrating about the book is its lack of point. The plot seemed pretty motivated throughout the book, but the ending seemed so abrupt and unconvincing.
The general anonymity of the characters was also intriguing. Actual names were rarely used, creating that sense of uncertainty.
I would definitely recommend this book. Even though there’s no clear moral, it’s a quick and interesting read.

Week 5

Overall I enjoyed this book; however, I wouldn’t call it one of my favorites. The book at first was very intriguing because it was so different from anything else I had read. As the book progressed, I found that it didn’t really hold my attention and I found myself rereading a lot. I didn’t like that the plot moved very slowly, even if it was slowed down by the amazing use of description by Murakami. At some points, it even took me several pages to realize that this certain event was a flashback and not in the present. Maybe I would have found this book much easier to understand if I had read the first book in this trilogy. Something that surprised me about the book was how much of it I could relate to my World History class. This includes how animals came to live in certain areas, the Meiji era and Marxist theories.
Despite the storyline somewhat lacking for me and the eventual annoyance of the main character not having a name, the book’s symbolism and unique perspective on life were definitely won me over. I would recommend this book to people for its beautiful language and insight, but with a warning of its uniqueness that has probably turned some people away.

week 5

This book was an interesting read because it flowed in a different way that I had never experienced before. The fact that it did not have names for most characters was inspiring and showed me a different path to writing. I really enjoyed this book it had a unique perspective on life that is probably less work than mine so I might need to change that.

The perspective this book took was one of the strangest ones I have ever read. This main characters descriptions of objects, people, scenes, etc. were completely different and entertaining. They seemed to foreshadow the book subtly. If I were to read this book all over again I would try to focus more on the foreshadowing aspect in order to combat the slow pace. The book was interesting but the slow pace would have been annoying if the reader did not try to analyze the book while reading.

I would recommend this book to others in the beginning of the year. I picked beginning of the year because after reading it I was prepared for another school year, at least mentally if not physically. The mindset the reader has after reading this book is philosophical. Overall it was a great book that I would suggest to a more mature audience that likes to read and is interested in Japan.

Week 5

This was a very unique and interesting book. I really enjoyed the book as a whole, but the ending left me quite confused. Murakami’s writing style is very intriguing with his many similes, unique characters and use of symbolism. This book really makes you think about the patterns of human nature and how we all relate to each other. I wonder if the wild sheep chase was symbolism for a much broader topic relating to human nature. The beginning of the book compelled me to hope that the main character would have a revelation in the end and find direction in his life, but this didn’t really happen. Though it did seem that the main character gained some self-confidence and realization in the end of the book. Staying in the house at the top of the mountain for many days seemed to help him clear his mind and his encounters with many odd characters helped him to realize something…though I am not quite sure what that was. I was very puzzled by the main character’s encounter with Rat, because, at first, I thought it was a dream, but events that occurred after that seemed to contradict this theory. Truthfully, I am not quite sure what to make of this book. I really enjoyed Murakami’s writing style, but the plot was just so weird. The beginning of the book seemed to have some promise, but the ending was so unfathomably…odd.
I would recommend this book to a friend because it was a pretty good book, and most of all, it made you think. This would be a great book for discussion because there are so many ways that you can interpret this book. Also, Murakami’s writing style makes it a quick read and the melding of reality with fiction make it very unique.

Friday, March 27, 2009

Reflections on A Wild Sheep Chase

In all honestly, I found it very difficult to get through this book. The lack of plot, and outward character relations really pushed me away at times. However, at the end of the book when the nameless girlfriend leaves, I really begin to respect the text. I saw true, honest to gosh emotion in the narrator. I was confused at the girlfriend- analyzing everything she had done the past few days to get any clues as to why she would get up and go. (Later we find out it has more to do with the Rat than anything). This moment really caught my attention- maybe for the first time in the entire book.

I saw the The lack of personal title to the characters added the effect of perplex vagueness, as impossible as that may seem. Perplex in that instead of picturing someone based on their title, we look at their actions, being much more difficult to analyze the characters throughout the novel. The only real titles we know are The Sheep Man, J, The Rat, and Sheep Professor. How vague. My overall reaction- well... the book seemed as if it had a simple plot, and then at the end it got quite complicated. I liked that, oddly enough.

I would really recommend this to a reader purely because it's such a different text then what we are used to. The characters, the plot, the culture, everything. It's an experience, rather than a read.

Post #5: Reaction

I don't quite know what to say about this book. At first, I was intrigued by it's uniqueness. The style is so different from anything I've ever read. But that got old quickly. I was soon bored by the slow pace the book seemed to be taking, and I had to force myself to keep reading. Had it not been a book I needed to finish for school, I probably would have stopped reading. That isn't to say that this book is without merit. I really like how the main character is nameless, I feel like that says so much more than any description of the character could have. I like the fact that this book was a mystery, but the path to find the answers was different from your classic mysteries.

I don't know if I would recommend this book to someone else. It wasn't a bad book, but it was nowhere near the top of my favorites list, either. It was kind of cool to read a book that is so different for what I've read before, but I didn't really enjoy it. I guess I wouldn't try to persuade someone out of reading this book, but I'm not running out to the book store to buy another book by the author, either.

Week 5 - Reaction

As a whole, this book was enjoyable.

The writing style was my favorite part. It was unique and at many times funny enough for me to smile to myself while reading. The similes were especially interesting, and the observations and theories of the main character were amusing.

The main trouble I had with this book was that I didn't feel like I totally understood it in the end. Even though the plot was adequately explained and the events leading to the climax were very straight-forward, the actually ending left me pretty much speechless. As in, I have no reaction to it nor an explanation for it.

This is the type of book where you have to be willing to accept whatever the author says, no matter how supernatural or down-right odd it is. This can be enjoyable at times and irritating at others.

I'd recommend people to read it mostly so that I could ask them what they thought it all meant.

Monday, March 23, 2009

Week Five

Welcome to Week Five, and our last week week of blogging. This week's post should be on your overall thoughts about the book. It must be a ten sentence reflection. You do not need to comment on anyone else's blog, but your post should be up here by Sunday, March 29 You should have made up any missing work by then as well.

Sunday, March 22, 2009

week 4

Do you think that the main character is actually a mediocre, bland person, or a unique man who is just wrapped up in convincing himself that he is boring?

Saturday, March 21, 2009

Week 4 Question

Do the character's mediocrity and the sheep mystery have any correlation? Could the mystery be some symbol for the changes in life?

Friday, March 20, 2009

Week Four Q.

What effect does the character's blandness and dispassion have on the book as a whole?

Wednesday, March 18, 2009

Week 4: Question

How does the main character change through the story? How does the sheep chase change/ affect him?

Tuesday, March 17, 2009

weel four question

I have been wondering this even before we started reading the book.

What differences would there be in the book if it was still written in Japan but by a foreigner instead of a Japanese author?

Irini=NA (not available)

Week Four

Welcome to Week Four! For this week's blog you will post a thought-provoking question that does not have only one answer. Remember that you must make 10 comments this week, not 5. Please do not leave this until the last minute, you have the whole week to get it done.

Monday, March 16, 2009

Week 4 - Question

Do you think this book is for or against mediocrity? Does the sheep represent the ultimate potential of a human being or does it show that greatness only causes suffering? Is the sheep a good force, an evil one, or neither?

Sunday, March 15, 2009

week 3 literary elements

In order for me to be satisfied with my post on the literary elements in the book I scanned backwards to page 51. First off I wanted to make sure no one had the same example of my popular literary element. I chose the metaphor because it is my favorite. The reasons are that it is subtle and involves thought. Also metaphors compare two nouns in a usually more sophisticated way than similes. My example of a metaphor was n page 51, and referred to the “biznessman” as “a refined piece of bad news now hovering over her…”(51). Not only is there a metaphor but the comparison made also serves as foreshadowing. The word choice of “bad news” is the foreshadowing part that this man will bring upheaval to the company, which he doles out in doses. The metaphor between the serious man and the bad news shows the author’s intent to inform the audience that the secretary had intuition enough to know that this man would soon bring trouble, well adventure, to the firm. The ensuing action can easily be connected back to him later and this is the key phrase that promotes a revelation. At first I did not notice this foreshadowing at all, only after coming back and rereading the area around when he showed up did I notice this key phrase. The metaphor was so subtle it was easily overlooked.

Week 3--literary elements

In this novel, literary elements are quite eminent. It makes sense really. If one is to make a commentary on life (such as this book is doing), it’s almost imperative that there be literary elements to depict it adequately. For instance, to show the general feeling of bland emotion: “The rain kept falling at the same rate. From my hotel window, through the neon signs of the building next door, a hundred thousand strands of rain sped earthward through a green glow. If I looked down, the rain seemed to pour straight into one fixed point on the ground,” (119). First off, this quote describes the rain very well. I know the exact position of the main character looking out the window when the author writes how the rain fell “straight into one fixed point on the ground”. Secondly, the sheer simplicity of describing the rain fall captures our characters somewhat melancholy emotional state. The description of rain has a pretty consistent pattern of popping up whenever the main character is deep in thought, or if something serious happened.
Since scenes like these are used so often in this novel, that not only the physical state of the scene is portrayed, but the emotional connotation also allows the reader to find a duel meaning. This way the author only has to write one sentence (or paragraph) to get the message across.

Blog #3- Literary Element/ Figurative Language

While Murakami's writing is filled with figurative language, I especially noticed his imagery and similes. I know that we talked about this scene last week, but I'm going to bring it up again:

"Each row of cedars bordered on neatly mowed turf, which sloped down in banks dotted with azaleas and hydrangeas and other plants beyond my powers of identification. A flock of starlings rushed, en masse, left and right across the lawn, like the aimless migration of a sand dune." (page 80).

I think that quote speaks for itself. I can honestly picture that image perfectly. Despite the rarity of these beautiful images (as we discussed last week), they are very impressive. As for how that affects the main character, the only conclusion I've made is that we always know when a scene really strikes him, because that is when this imagery pops up. This setting was very different from what he had ever seen before, so it was described in full detail and beauty.

In that same quote was a simile, "A flock of starlings rushed, en masse, left and right across the lawn, like the aimless migration of a sand dune." (page 80). This seems to have a similar affect as the imagery, I can picture those birds perfectly. His similes occur everywhere, and they really do make you think. And they're fun. These similes may show the main character as more of a round character, as they vary from similes that show an image to many other quirky statements.

week 3

I really enjoy Murakami’s writing style and I believe that his intriguing way of writing is deeply rooted in his excellent use of figurative language. He uses many similes and lots of imagery. I would like to focus on these two elements because I find that they are what make his writing so juicy. Some examples of his great writing are:
“The car door opened and the waning light of a summer afternoon fell across my face. Thousands of cicadas were singing at a high pitch like the winding of a clockspring. There was the rich smell of earth.” (page 78)-This is one of my favorite examples of imagery and simile because when I read this I can feel myself sitting in the limo, opening the door, and experiencing the nature around me.
“Mid-thirties to forty in age, five foot ten plus in height, trimmed of every last ounce of fat, slender hands without telltale wrinkles.” (page 61)- I can picture this exact man standing before me.
These are only two examples of the many lavish sentences he writes. If you think about it, the beginning of the book actually has quite a simple plotline, but Murakami’s use of figurative language makes the book hard to put down. This story also has elements of symbolism in it. When I was reading, I found that the café seemed to resemble the main character’s old lifestyle and the wild sheep chase resembled his new experiences and change of lifestyle. The café used to be his old, boring routine, but the wild sheep chase offers many twists and turns in his life. I envy Murakami’s talented ability to use figurative language in a way that makes me feel as though I am living within the pages of the book.

Wednesday, March 11, 2009

Week 3-Literary Element/Figurative Language

I'm glad that I got here first, because now I can write about the most obvious figurative language that Murakami uses. I am speaking about his similes of course. Let me pull a few that made me underline them or even sometimes made me put "haha" in the margin:

"He spoke as if running a white-gloved hand over a tabletop."

"[Life] is like doughnut holes. Whether you take a doughnut hole as a blank space or as an entity unto itself is a purely metaphysical question and does not affect the taste of the doughnut one bit."

"Sitting in the limo, compared to my fifteen-year-old Volkswagen Beetle I'd bought off a friend, was as quiet as sitting at the bottom of a lake wearing earplugs."

He gets more creative than this, but these are a couple of good examples of him using similes. Although they are enjoyable to read, unexpected, and proficient at explaining whatever it is that he wants to express, I do have one bone to pick with them.

They are outlandish enough to have us, as separate people, think about them and chuckle. They pull you out of the action of the book, and make you feel like you're reading one instead. I've found that I like books that describe things in a way that you can't totally comprehend at first. I like it when the author sneaks up from behind with some sort of feeling or atmosphere through the shape and sound of a word or sentence. You don't know you're feeling it, or thinking it, until later when you considered what you just read.

It's harsh to say that his whole style is bad, and I'm not saying that. This book is enjoyable and incredibly witty, but with the outlandish similes and the even more outlandish ending... I lose a bit of respect for it.

To give another compliment though, the similes go well with the main character's personality, with all of his inane and quirky observations.